So, let’s just that’s what you write the songs obvious. You write the words when it comes to the music. How do you actually put these songs together If you play the guitar Francis? I used to gave it. Oh well. I used to play the piano as well stops because I’m, I’m still very in the total, you know.
So just learned a lot of things. So the actual structures of your souls, where do they come from them? I do the structures what they do a whistles and offensive tablecar and apply the group but that’s only 50%. It was hit the sons. Change that put forward by you associated.
Just if you’re not because he’s not fall funds, they’re not gonna give me. I mean you won’t believe the rubbish would go. You know like get like something fly direct cuts and stuff from that video and kids are surprisingly. Yeah. Yes my pump never happened. No time was right?
Oh, they play the dust music. So, okay, a lot of time playing the cables a lot but I don’t know, you know,
I’ve gone off the camera a lot. Hit the lyrics, your extraordinary wonderful. There is to make it. They sound as if they’re all written in one breath. They’ve got fantastic. Sort of momentum to them. Is that how they’re actually done? Or do you sort of toilet over them or I do, but do I don’t entirely it was, some could take him for six months, believe it or not.
Well, it doesn’t sound like moments out. Two minutes. Tell us about the songs you actually playing for this session. Yeah, three trips on the other one assume they’re doing doing assume and draw pacifying joint, and midnight and Aspen. Right, Right. Okay, a couple of versions of the month. Yes.
Now let’s talk about conversation of the month. Who were the monks? Why did you choose this tune? Well, the months were six GIs in Germany. It’s a bit success.